COMMON AND STRICT CONTRIBUTION OF PERFORMING EXPRESSIONS

Authors

  • Vasantha Madhava Dept. Of Indian History University Of Madras, India

DOI:

https://doi.org/10.37547/history-crjh-02-11-01

Keywords:

Contribution, Performing, Expressions

Abstract

Indeed, even from pre-noteworthy occasions, articulations and sounds have been utilized for different purposes. The beginning of human advancement and the advancement made by humankind uncover the meaning of music and dance in the public arena. In a universe of anxiety, individuals needed unwinding and it was accessible to them through performing expressions. There is no question that everybody brought into the world in this world is an artist, artist and entertainer. Yet, a methodical report uncovers the common and strict commitment of performing expressions in the Tamil country. The word mainstream passes on an extremely basic and clear importance. It is only non-strict nature of the utilization of expressive arts and the relating impacts.

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References

Subrahmanian, N. Tamilian Historiography, Madurai, 1988, p.143.

Shakti Sangam Tantra, Parichhed – 7, Shlok – 27.

B.N. Malik, The Temples of Orissa, Bhubaneswar, 1999,pp. 10-11.

Naradiya Purana, UttaraKhand, Chapter 41,Shlok – 46 – 47.

Vijayalakshmi, R., Women of Tamilnadu (Tamil), Chennai, 1997.

Subramanian, N., Sangam Polity, Bombay, 1966.

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Published

2021-11-12

How to Cite

Vasantha Madhava. (2021). COMMON AND STRICT CONTRIBUTION OF PERFORMING EXPRESSIONS. Current Research Journal of History, 2(11), 1–4. https://doi.org/10.37547/history-crjh-02-11-01

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