The article interprets the lyrical “I” used by Anbar otin, Dilshodi Barno, Samar Bonu in the genres of ghazal, muhammas, mustahzod. In the comprehensive coverage of the fate of poets and the discovery of the problems of their time, the auto-psychological lyrical “I” method is included in the scope of analysis.
LYRICAL INTERPRETATION OF “I” IN THE POETRY OF ANBAR OTIN, DILSHODI BARNO AND SAMAR BONU
DOI:
Keywords:
Lyrical protagonist
auto-psychological lyrical “I”
the work of the heart
the motives of emigration
bloodshed
fullness
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References
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