LYRICAL INTERPRETATION OF “I” IN THE POETRY OF ANBAR OTIN, DILSHODI BARNO AND SAMAR BONU
DOI:
https://doi.org/10.37547/philological-crjps-02-06-13Keywords:
Lyrical protagonist, auto-psychological lyrical “I”, the work of the heart, the motives of emigration, bloodshed, fullnessAbstract
The article interprets the lyrical “I” used by Anbar otin, Dilshodi Barno, Samar Bonu in the genres of ghazal, muhammas, mustahzod. In the comprehensive coverage of the fate of poets and the discovery of the problems of their time, the auto-psychological lyrical “I” method is included in the scope of analysis.
Downloads
References
Sobir Abdulla. (1978) The third roof. Mevlana Mukimiy. Art plates. – Tashkent: Gafur Gulom Publishing House of Literature and Art. – p. 269.
Dilshod. Selected works. Prepared by: Kadyrova M. – Tashkent: Gafur Gulom Publishing House of Literature and Art. 1972. – p. 3.
Jalolov T. (1980) Uzbek poets. – Tashkent: Gafur Gulam Publishing House of Literature and Art. – pp. 282, 284.
Hotamov N., Sarimsoqov B. (1979) Russian-Uzbek Glossary of Literary Terms. – Tashkent: Teacher. – p. 165.
Kuronov D.H. (2019) Fundamentals of literary theory. – Tashkent: NOSHIR. – p. 272.
Anbar otin. Poems. Risola. Collector and foreword author: Husainova F. – Tashkent: Gafur Gulam Publishing House of Literature and Art. 1970. – pp. 20, 68, 76.
The seven lights of the East. Gazelles. Prepared by: Akbarkhojaev T. – Tashkent: Abdulla Kodiri National Heritage Publishing House, 1999. – pp. 113, 118-119, 120.
