This study presents a comprehensive SWOT (Strengths, Weaknesses, Opportunities, Threats) analysis of transformation initiatives aimed at strengthening State Islamic University. Drawing upon qualitative and quantitative data, the analysis explores internal strengths and weaknesses, as well as external opportunities and threats facing the university. Through this examination, the study identifies strategic pathways for enhancing the university's competitiveness, fostering academic excellence, and ensuring its relevance in an evolving educational landscape.

Genre Rihla attracted writers from almost all literary genres. The rihla describes the material and spiritual life of the peoples of different countries, reflects the author’s views on the history and culture of these countries, the customs and rituals of the peoples. It was this feature of the genre that attracted realist writers. The importance of the genre rihla is very great in the education of a spiritually developed person, since people who have read many works in this genre can obtain valuable information about other lands and peoples, about their history and nowadays, about geography, nature, everyday life and cultural and historical heritage, and try to appropriate their positive qualities.

Korean and Uzbek languages belong to the same language family. Therefore, many similarities in sentence structure and references in both languages can be studied and interpreted. In this article, references used in the Korean and Uzbek discourses against women in the family are considered and analyzed. In particular, the similarities and differences of appeals, translation, are explained with the help of examples.

In the epic "Layli and Majnun", which is the third epic of the great writer Alisher Navoi's "Khamsa", terms related to various sciences and professions of his time were used. In particular, terms related to the social, political, military, animal and plant world, related to the science of astrology (astronomy), meaning medical, musical, mineral names, related to various sciences and professions, related to religious concepts, to Terms related to 'y and mourning rites and several terms related to many other fields are skillfully used in the work.

In this article, we will discuss the semantic features of the terms used in this epic. The lexical-semantic phenomena appearing in the current Uzbek terminology and the semantic features characteristic of language units in general have been studied with the help of distributive and transformational analysis methods.

The full name of Fakhr al-Dīn Ūzjandi is Ḥasan ibn Manṣūr ibn Maḥmūd ibn ʿAbd Al-ʿAzīz ibn ʿAbd al-Razzāq al-Ūzjandi al-Farghānī (hereinafter Fakhr al-Dīn Ūzjandi). To study the contribution of Fakhr al-Dīn Ūzjandi to the development of medieval Mawarannahr jurisprudence, it is necessary to have a complete understanding of the socio-political situation of the time when the scientist lived. Only then will it be possible to objectively determine and scientifically analyze its place in the development of the Mawarannahr school of Ḥanafī.

This article examines the features of weight and rhyme in literary translation, focusing on poetic translation. Various aspects of artistic translation, in particular, are focused on the relation to other forms of poetic translation (synchronous, scientific-technical, political-journalistic and information-analytical translation of materials). The most important thing is creativity, which is very important in poetic translation, which is the center of analysis of this article. In addition, great attention is paid to the issue of tone.

The article analyzes real nouns using the example of Sergei Borodin’s work “Stars over Samarkand”. We have found such real nouns that, from the point of view of origin, belong to the Turkic languages, these are words like buza, ambergris, snipe, plaques. Also, based on the theory of real nouns, we found more than 80 real nouns in the story.

The article analyzes the typical features of the “person who writes” in modern Russian-language prose through the prism of the triad “image of the world – image of the word – image of the artist”. It has been revealed that this image represents both the signs of a new hero, self-criticizing, conducting a dialogue with his alter ego, consolidating efforts with other artists, and the specifics of the modern world, combining the memory of the historical past and grading the ennobling effect of the word.