RETROSPECTIVE PLOT AND COMPOSITIONAL UNITY IN LEO TOLSTOY’S WAR AND PEACE
DOI:
https://doi.org/10.37547/philological-crjps-05-12-12Keywords:
Leo Tolstoy, War and Peace, retrospective plotAbstract
This article examines the retrospective plot structure and compositional unity of Leo Tolstoy’s War and Peace, exploring how the novel’s temporal dynamics and narrative architecture serve its philosophical and moral vision. Tolstoy’s use of retrospection is not merely a structural device, but a means of integrating personal experience, historical reflection, and moral introspection into a single artistic organism. The study argues that Tolstoy’s composition achieves a unique synthesis of historical epic and psychological realism, where the past continually informs the present, creating a circular sense of time that embodies his view of history as a living moral process.
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References
Tolstoy, L. N. War and Peace. Trans. Louise and Aylmer Maude. Oxford University Press, 2010.
Lukács, Georg. The Historical Novel. London: Merlin Press, 1962.
Berlin, Isaiah. The Hedgehog and the Fox: An Essay on Tolstoy’s View of History. New York: Simon & Schuster, 1953.
Bayley, John. Tolstoy and the Novel. London: Chatto & Windus, 1966.
Christian, R. F. Tolstoy: A Critical Introduction. Cambridge University Press, 1969.
Orwin, Donna Tussing. Tolstoy’s Art and Thought, 1847–1880. Princeton University Press, 1993.
Mandelker, Amy. Framing “War and Peace”: Tolstoy, the Woman Question, and the Victorian Novel. Ohio State University Press, 1993.
Fokin, S. Philosophy and Ethics in Tolstoy’s Prose. Moscow: Nauka, 1988.
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