Composition and Genre Issues in The Tazkira Nasāyim Al-Maḥabba

Authors

  • Sevara Parmonova PhD Candidate, Tashkent State University of Uzbek Language and Literature named after Alisher Navoi, Uzbekistan

DOI:

https://doi.org/10.37547/philological-crjps-07-04-06

Keywords:

Tazkira, composition, Sufism

Abstract

This article examines the tazkira Nasāyim al-Maḥabba by Alisher Navoi as an object of study, focusing on its compositional structure and genre characteristics. The aim of the research is to analyze the extent to which the work preserves the traditional features of Sufi tazkiras, while also identifying its general and distinctive aspects, as well as the author’s stylistic approach manifested in its composition.

The study reveals that the information about the sheikhs is presented according to a certain biographical model, partially organized based on their spiritual lineage (silsila), hierarchical classification (ṭabaqāt), and historical period. However, this arrangement is not strictly maintained, and in some cases the sequence of categories is disrupted. The analysis demonstrates that biographical narration, mystical interpretation, and artistic expression are harmoniously integrated in the tazkira, which serves as a key factor in defining its genre nature.

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References

Annemarie Schimmel. Mystical Dimensions of Islam (translated as Tasavvuf Notlari). Istanbul: Sufi Kitap, 2023.

Abdurahman Jami. Nafahāt al-Uns min Ḥaḍarāt al-Quds. Istanbul: Salih Kitaplar, 2021.

Abdulhakim Shariy Juzjani. Tasavvuf va inson. Tashkent: Adolat, 2001.

Abd al-Karim al-Qushayri. Al-Risāla al-Qushayriyya. Istanbul: Semerkand, 2022.

Alisher Navoi. Nasāyim al-Maḥabba min Shamāyim al-Futuwwa. Tashkent: Movarounnahr, 2017.

N. Ramazonov. “On the Specific Features of Nasāyim.” In: The World of Navoi’s творчество (Collection of Articles). Tashkent: Fan, 2001, pp. 157–182.

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Published

2026-04-14